Comparing William Faulkners Short Stories, A Rose for Emily and Dry Se

Comparing William Faulkners Short Stories, A lift for Emily and Dry SeptemberThree key elements link William Faulkners cardinal short stories A Rose for Emily and Dry September sex, death, and women (King 203). Staging his two stories against a backdrop of stereotypical characters and a southern code of honor, Faulkner deliberately withholds alpha details, fragments chronological times, and fuses the past with the present to imply the characters act and motivation. The characters in Faulkners southern society ar drawn from three social levels the aristocrats, the townspeople, and the Negroes (Volpe 15). In A Rose for Emily, Faulkner describes Miss Emily Grierson in flowing, descriptive sentences. Once a slender figure in white, the last descendent of a formerly affluent aristocratic family matures into a small, fat woman in black, with a thin cash chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head (Faulkner, Literature 25-27). Despite her diminished financial status, Miss Emily exhibits her aristocratic demeanor by carrying her head high as if she demanded more than ever the credit entry of her dignity as the last Grierson (28). In an equally descriptive manner, Faulkner paints a written portrait of Miss Minnie Cooper in Dry September. He portrays her as a spinster of comfortable people - not the best in Jefferson, but good enough people and still on the slender array of ordinary looking, with a bright faintly haggard manner and dress (Faulkner, Reader 520). Cleanth Brooks sheds considerable insight on Faulkners view of women. He notes that Faulkners women are the source and sustainer of virtue and also a prime source of evil. She can be ... ...uth. Works Cited Brooks, Cleanth. William Faulkner Visions of Good and Evil. Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey Prentice-Hall, 1983. ---. upstart Critical Views. New York Chelsea House,1986. Faulkner, Will iam. Dry September. The Faulkner Reader. New York random House, 1954. ---. A Rose for Emily. Literature An Introduction to Fiction, Poetry, and Drama. 5th ed. New York Harper Collins, 1991. ---. Selected Letters of William Faulkner. Ed. Joseph Blotner. New York Random House, 1977. Kazin, Alfred. Bright Book of Life. Boston Little Brown Company, 1973. King, Richard H. Modern Critical Views. New York Chelsea House, 1986. Reed, Joseph. Modern Critical Views. New York Chelsea House, 1986. Volpe, Edmond. A Readers Guide to William Faulkner. New York Octagon, 1974.

A Comparison of Love in Annabel Lee and La Belle Dame sans Merci Essay

Love in Poes Annabel Lee and Keatss La Belle lady sans Merci Poes Annabel Lee and Keatss La Belle Dame sans Merci depict the destructive effects that women exercise upon men. In both(prenominal) poems, women, by death and deception, harm their adoring lovers. In Annabel Lee, Annabel dies and leaves the speaker in isolation in La Belle Dame Sans Merci, the fairy, La Belle Dame, captures the speakers heart, and then deserts him. The common theme of both poems, that love generates harmful effects, is a reflection of both poets upsetting and harmful childhood experiences. Poetry, Keats purports, comes from the ferment of an unhappy childhood working through a noble imagination (Keats 16). The lesson of Keats boyhood was that the intensity of the beauty, the joy, the pleasure, and the bitterness of their loss is essential for a poem (Keats 17). The deaths of Poes parents, foster mother, and wife develop a similar intensity in the form of a lingering pity and sorrow for the exanimat e (Whitman 61). The implied malevolence in Annabel Lee and La Belle Dame sans Merci echoes these poets pasts the poems speakers are unable to live sanely or comfortably after experiencing and then losing the objects of their exquisite affection. Furthermore, the speakers names are concealed, stressing the importance of the women over the speakers. While both poets believe that love creates destructive situations, they differ about most damaging chassis of love. Poe believed that an innocent and sexless love hurt the greatest his speaker went insane from love that was more than love, while he and his lover were children. Poes aesthetic faith was a worship of the beautifulin all noble thoughts, in all ho... ...a Belle Dame sans Merci through their fascination with the doomed nature of love (De Reyes 107). plant Cited Allen, Hervey. Israfel The Life and Times of Edgar Allan Poe. New York Holt, 1934 De Reyes, Mary. John Keats. Poetry Reviews. 3 vols. 1913 Keats, John. La Belle Da me sans Merci. The Poetical Works of John Keats. London Macmillan, 1884. Moise, Edwin. Keatss La Belle Dame sans Merci. The Explicator. majuscule DC Heldref, 1992 Poe, Edgar. Annabel Lee. 15 Aug. 1997. Stefan Gmoser Online. Online. America Online. 12 Jan. 1998 Saintsbury, George. Edgar Allan Poe. Prefaces and Essays. Virginia Macmillan, 1933 Whitman, Sarah. Edgar Poe and His Critics. New York Haskell House, 1972 Wilbur, Richard. Poe and the Art of Suggestion. Critical Essays on Edgar Allan Poe. New York G. K. Hall, 1987

Madame Bovary :: Madame Bovary Essays

Madame Bovary   The novel Madame Bovary was written by Gustave Flaubert in 1856. Flaubert was born in 1821, in Rouen, France. His father, being a doctor, caused him to be very familiar with the horrible sights of the hospital, which he in turn uses in his writings. In this novel, Charles Bovary, an undereducated doctor of medicine has two wives in his life. The first, Madame Dubuc, died. Emma Rouault, his second wife, after many affairs commits suicide. The doom of Charles and Emmas jointure is described by an elaborate connection of symbolic relations. The relationships of the shutters sealing bang, Emmas long dress that keeps her from happiness, the plaster priest that conveys the actions of the couple, the restless greyhound, and Emma burning her wedding bouquet argon all images of eternal doom to the couples marriage.   Charles Bovary first met Emma Rouault when he was on a medical call to fix her fathers broken leg. Not long after his arrival Emma catches his interest. Her actions satisfy his hearts need for a young, fresh principal and body. The old widow that he is currently married to dies of chagrin. Charles is sadden by this but his mind stays on Emma. aft(prenominal) frequent visits to her farm, even after her fathers leg was healed, Charles gives a thought about if he would like to marry Emma but he is uncertain. Her father sees Charles interest in his daughter and takes it upon himself to engage the two. He waits until Charles is departing and then confronts him about the engagement. As expected Charles accepts the marriage and the father runs to the house to receive Emmas acceptance. This was to be shown by the opening of a shutter door. Suddenly he heard a sound from the house the shutter had slammed against the wall the catch was still chill (Flaubert 21). The sound that the shutter makes is the beginning of an end. The bang seals the never-ending doom of the couples marriage (Turnell 101).   Emmas we dding is a special occasion. It is held in the far off pasture of their farm. After all the guests arrive the wedding procession proceeds to the pasture.